Once again, I completely agree that in a pinch, using less than an optimal is definitely viable, especially if your agent gives the go-ahead. But for working VOs, you are pretty much expected to have a working set-up that you have regular access to. I cracked down on your post, because the wording could be interpreted as a perfectly fine solution in any instance.

well, as I(much more clearly this time) stated, using that app IS a viable way to record a quality audition, and not just in a pinch. Ideally, VO actors have both a solid home setup and a portable setup with an iphone/android, but, if an iphone is all you have,IMHO iaudition is legit. I don't think my agent would have recommended it to me otherwise..I'll be using it regularly now, so I'll report back on how I do and any feedback I receive on sound quality. Oh, and, I don't mean to be combative, but, the only people who can "crack down" on posts are the mods. You are free to disagree,free to post your own thoughts and opinions, but, you have no authority to regulate here.

quote:

Originally posted by dmattos86:
What if you're broke? I need voice training and a demo reel but I can't afford classes. What is an affordable option?

Make opportunities. Ask people if you can narrate a student film? Why not go down to local business and ask if they have a web site and ask if they would like you to do a short video with voice? Explain that not many people don't like to read text. They sometimes rather listen.

Get that under your belt. Find a way to make a demo reel. Send it to Agents and try.

I am considering doing that after I do certain things. Sadly, I got to back doors to two video companies... I need to thank my brother for that. But that's future goal of mine.

Oh go to Linkined. There is a group for Voice Over and I started a thread on microphones and stuff. Its been awhile I was there but all lot of great advice is there. =)

The Don La Fontaine Voice lab at SAG is having orientations over the next few weeks. Once you go to those you have access to the lab/studio, where union members can, among other things, record a demo. You should be able to attend some workshops there as well. You can sign up through the SAG Foundation site-they will get posted periodically.

Kind of random but in the same world...

IF you have a commercial voiceover audition, is it appropriate to bring the copy in the room with you? Or will there be a board?
Are you expected to know what you are talking about like an on-camera audition or are you allowed to cheat the lines?

Commercial VO auditions are always read right off the script. Usually there will be a stand under the mic for you to put your paper on - so you don't rustle the paper while you are reading.

You are never expected to be memorized and because timing is so critical in VO, you need to read it word for word - no paraphrasing.

Perfect. Ahh. Thank you so much!!

Is it okay to have notes written on the page?

Is it okay if it's a little bit under 30 seconds?

Under is usually ok, over is not.

If you write on your copy, common audition courtesy is to erase and not leave a marked up paper for the next auditioner.

When in doubt, ask.

Usually they want to hit around 28 seconds with the read. It is not ok for it to be much longer. When in doubt, ask. Marbar filled in the rest.

I've studied with the Kalmensons, and taken a few classes with David Goldberg at edge studio. Both are good. Agree on "great voice" vs. "the acting". I've been told again and again how great my voice is..but it's my acting chops that get me work. there is no cheap option, unless you know of someone who will give you, studio time, copy, and direction for free. Expect to drop $1000 for a demo. the good news is, you could make it back right away if you book.

quote:

Originally posted by stevesteve:
Here's what you can buy:

AT2020 USB (not the xlr version) About $100 on Amazon

On Stage desk stand About $10 If you prefer to stand, there are cheap floor stands.

Get an ankle sock from Target. Cotton 100% single weave non-reinforced toe and heel. This is all you need for a pop filter. About $2 a pair.

Download Audacity for free

That is all you need equipment-wise to audition and record voiceover projects. This same setup is used by a large number of voiceover artists to produce high quality recordings. The AT2020 USB is an amazing little microphone. It comes with a crappy stand and no pop filter. That's why you buy the stand and the sock. I know it sounds ridiculous, but it also sounds really good!

Is this still a decent mic?

quote:

Originally posted by JiveTurkey:

quote:

Originally posted by stevesteve:
Here's what you can buy:

AT2020 USB (not the xlr version) About $100 on Amazon

On Stage desk stand About $10 If you prefer to stand, there are cheap floor stands.

Get an ankle sock from Target. Cotton 100% single weave non-reinforced toe and heel. This is all you need for a pop filter. About $2 a pair.

Download Audacity for free

That is all you need equipment-wise to audition and record voiceover projects. This same setup is used by a large number of voiceover artists to produce high quality recordings. The AT2020 USB is an amazing little microphone. It comes with a crappy stand and no pop filter. That's why you buy the stand and the sock. I know it sounds ridiculous, but it also sounds really good!

Is this still a decent mic?

Yes, I use the AT2020 every day for self-taped auditions at home. It's plug and play and you get a nice crisp quality.

I also recommend buying a pop filter for it to reduce your plosives - it makes BIG difference.

quote:

The Don La Fontaine Voice lab at SAG is having orientations over the next few weeks. Once you go to those you have access to the lab/studio, where union members can, among other things, record a demo. You should be able to attend some workshops there as well. You can sign up through the SAG Foundation site-they will get posted periodically.

I was thinking of this too. Also, did anyone else see the audiobook contract thing that just came through their inbox? You audition to be part of a group of 20 that are up for 4 big audiobook contracts. Is this something they do on a yearly basis or is this new?