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Sean Penn
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That's good advice. If he is a student, you could also contact somebody who teaches there and ask for an opinion. Then, make sure you talk with the director (not just e-mail) and ask a ton of questions...try to get details about where you'll have to be, what you'll be doing, who else is involved, time commitment, how they plan to distribute the project, etc.etc. If there is money involved, get it in writing because a lot of student projects are based on the hope that people will get paid, but often the money just isn't there when payday comes around. If the director is willing to answer all these questions and you're satisfied, it's probably ok to go ahead with it.
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| Posts: 99 | Location: USA | Registered: April 08, 2008 |    |
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Hilary Swank
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One obvious point comes to mind: I can barely recall ever auditioning for a student film elsewhere than on the school's premises. Even then, the film itself might be shot in a dicey location, or, alternatively, the filmmaker might quite innocently choose to have auditions elsewhere. But if you're concerned, the first step might be not to go to any auditions that aren't actually held at the school in question.
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| Posts: 342 | Location: North Hollywood, CA | Registered: July 18, 2005 |    |
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Nicholas Cage
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One exception to this might be in schools near a major acting hub--for example, students in Orange County might drive up to hold auditions in LA... Along with the great questions listed by others, especially talking to the teacher of the class, you can ask the students where the project will screen (if its for school it will screen either in class or a school screening venue) and where it will rehearse and shoot. If the auditions are on school property or at a legitimate studio rental site, you will get a lot of clarity just by meeting the students in person!
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| Posts: 435 | Location: Los Angeles, CA | Registered: February 14, 2008 |    |
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