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Newbie
Posted
I'm in a unique situation. I've been in several independent and student films, but have never been able to get footage from the directors (or sometimes the directors dropped off the face of the earth) except for one bad vhs copy. So I'm thinking of just "filming from scratch" 2 scenes into a demo reel just so I have something.

I know most people advise against this-- but this is what we do in voice over (ie have clips that are just demonstrations). And in the UK more people do it.

Can anyone recommend anyone in NYC who films, edits, and puts these kind of demo reels together?
Thanks!
 
Posts: 4 | Location: New York | Registered: April 18, 2007Reply With QuoteEdit or Delete MessageReport This Post
Sean Penn
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I can relate!! I have less than nothing to show, reel-wise. Checked out a few of those professional demo places but by and large was very disappointed in what I saw- lots of scams and ripoffs. I'll post anything i find that looks promising but so far it looks like a bust, overall. One of the prices I was quoted was in the thousands of $$$. I was thinking of just getting together with a film school student somewhere and have him film a scene with myself and some ex-classmates. Could it be any worse than paying through the nose for footage that looks canned??
 
Posts: 10 | Location: nyc | Registered: March 02, 2007Reply With QuoteEdit or Delete MessageReport This Post
Newbie
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Thanks. Yes I also got a quote from one (great sounding) place for over $2,000!

I would guess that film students should want to do this, but there is no formal information on this.
 
Posts: 4 | Location: New York | Registered: April 18, 2007Reply With QuoteEdit or Delete MessageReport This Post
Harrison Ford
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FYI, your situation is not unique. I think if you don't have success with our idea, make your next indie film director sign a contract saying if you don't get a copy, he doesn't have your permission to use your imgae. There is sample contract language to this effect available if you google it.
 
Posts: 529 | Location: New York | Registered: May 25, 2006Reply With QuoteEdit or Delete MessageReport This Post
Newbie
Posted Hide Post
Yes I agree. Sign a contract. I've produced some shorts before and wasn't able to pay anyone. However the least I can do is make SURE they get a copy. And I mean a real copy, not a rough cut.

I used this place for my demo reel. I think it came out great. And it didn't cost that much. www.reelactor.com
 
Posts: 1 | Location: NY | Registered: April 26, 2007Reply With QuoteEdit or Delete MessageReport This Post
Russell Crowe
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FYI - there is PERFECT contract language on Holdenlog.com !!! They have a contract you can download for free that pretty much tells your student filmaker/director that they HAVE to give you a copy, etc.... I've used it, it's great!
 
Posts: 36 | Location: NY | Registered: February 09, 2006Reply With QuoteEdit or Delete MessageReport This Post
Newbie
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Thanks a lot, those sites were really helpful. And if anyone does come across a good situation for creating at least one scene for a demo reel, do let us know.
 
Posts: 4 | Location: New York | Registered: April 18, 2007Reply With QuoteEdit or Delete MessageReport This Post
Newbie
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If you have a little money to spend, I recently hired an LA based company called Best Shot Films.com The Director did an incredible job. My scenes looked like a whole crew shot them and I was amazed that one man did it all.
 
Posts: 1 | Location: Studio City | Registered: August 31, 2007Reply With QuoteEdit or Delete MessageReport This Post
Denzel Washington
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Kayleigh- You mentioned that in another post. You also said you were waiting on your website to be completed to post the scenes you did. Well, it must be done by now so I am sure we would all love to see the reel you keep mentioning.I know of the company so I am especially interested.
 
Posts: 670 | Location: the universe | Registered: June 04, 2007Reply With QuoteEdit or Delete MessageReport This Post
Hilary Swank
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For those of you suggesting writing up a contract when you do a "for copy" film, I couldn't agree more. I wanted to add that if its a student film make sure that the student's FACULTY adviser or teacher gets a copy of that contract. And get that person's number while you are shooting. (Just tell the filmmaker you have had a bad experience in the past and someone suggested this as due diligence). Then, if you do not get the copy by the agreed upon date, and the student is being evasive, call the TEACHER. I would withhold a student's grade until he or she provided an actor with a copy as promised, and many other teachers will too!


Jackie Apodaca
Senior Columnist
Back Stage
www.backstage.com/workingactor
 
Posts: 522 | Location: Los Angeles, CA | Registered: February 14, 2008Reply With QuoteEdit or Delete MessageReport This Post
Kevin Bacon
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Redheadlady...
Where in Holdenlog.com is the sample contract/wording?
I'm new to the site and it was HUGE... can you direct me a bit more?

Thanks.
 
Posts: 26 | Location: MA | Registered: August 28, 2007Reply With QuoteEdit or Delete MessageReport This Post
Denzel Washington
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quote:
Originally posted by Siren:
I'm in a unique situation. I've been in several independent and student films, but have never been able to get footage from the directors (or sometimes the directors dropped off the face of the earth) except for one bad vhs copy. So I'm thinking of just "filming from scratch" 2 scenes into a demo reel just so I have something.

I know most people advise against this-- but this is what we do in voice over (ie have clips that are just demonstrations). And in the UK more people do it.

Can anyone recommend anyone in NYC who films, edits, and puts these kind of demo reels together?
Thanks!


TRUST me when I say this is NOT a unique situation! Everyone gets screwed eventually when it comes to getting footage. I am definitely going to hire someone to film my scenes. Sick of doing crap....
 
Posts: 670 | Location: the universe | Registered: June 04, 2007Reply With QuoteEdit or Delete MessageReport This Post
Newbie
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Not bestshotfilms, Kayleigh,
BestShotReels. I agree, they are great. Love them.
 
Posts: 12 | Location: LA | Registered: February 29, 2008Reply With QuoteEdit or Delete MessageReport This Post
Kevin Bacon
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If you don't find a business in NY who does the filming, editing, etc. Why not do it yourself?

That's what I did, and it was an amazing experience. I am so proud of the two shorts that I did. I put out an ad just like student filmmakers do for actors and got two amazing actors who were wonderful to work with. I got a cinematographer friend with a camera to shoot it for a nominal fee. If you don't have a friend, there's are tons of cinematographers with cameras on Craigslist. Just put out an ad and request their day rate. Once you have the footage, you can find an editor. Going to an editing school is a great way to hook up with an editor or again an ad on Craigslist.

It was a lot of work, but it was such an empowering experience. I am so proud of the people I worked with and all that I learned. I have a true appreciation for what every member of a film crew does, and I feel like not only did I get great footage that looks like a real film but I grew as an actress, a writer and now know on a small scale what it's like to be a producer.
 
Posts: 29 | Location: Los Angeles, CA | Registered: January 24, 2008Reply With QuoteEdit or Delete MessageReport This Post
Kevin Bacon
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Another possibility would be:

attend a short film festival. Jot down the people you like. Approach them, and tell them you truly love their work.

Chances are, that they, like you, do not have much money, and if you throw in a little money for a co-production, you will get highly personal work.



Be specific. "Whatever" just doesn't work.


www.robertwildephotography.com
 
Posts: 22 | Location: LA | Registered: April 11, 2008Reply With QuoteEdit or Delete MessageReport This Post
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