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Julia Roberts

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quote: Originally posted by PaulyWally: Learning the IPA can be a great foundation... but IMO that should be treated more like an on-going part of your vocal training. And I wouldn't recommend "crash-coursing" the IPA to learn a dialect for an upcoming project.
The IPA doesn't teach you the "rhythm" of a dialect... and that's important to have to sound convincing. None of us acquired our accents/dialects by learning the IPA. We did so by living among people that already spoke that way.
So...
I would suggest submersing yourself in the dialect. Watch Aussie films and Aussie comedians. Listen to Aussie audio books. Watch Aussie infomercials. Live it and breathe it 24/7. After you feel you've got a handle on it, talk in that dialect all the time. And I mean ALL THE TIME.
Figure at least 3-4 weeks of doing that before you really start picking up on the rhythm of the accent.
I am an Aussie- and this advice is GOLDEN. Except for Meryl Streep and Kevin Kline, I have yet to hear an American convince me yet. So you need TIME.
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| Posts: 2401 | Location: the universe | Registered: June 04, 2007 |    |
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Hilary Swank

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quote: Originally posted by PaulyWally: Learning the IPA can be a great foundation... but IMO that should be treated more like an on-going part of your vocal training. And I wouldn't recommend "crash-coursing" the IPA to learn a dialect for an upcoming project.
The IPA doesn't teach you the "rhythm" of a dialect... and that's important to have to sound convincing. None of us acquired our accents/dialects by learning the IPA. We did so by living among people that already spoke that way.
So...
I would suggest submersing yourself in the dialect. Watch Aussie films and Aussie comedians. Listen to Aussie audio books. Watch Aussie infomercials. Live it and breathe it 24/7. After you feel you've got a handle on it, talk in that dialect all the time. And I mean ALL THE TIME.
Figure at least 3-4 weeks of doing that before you really start picking up on the rhythm of the accent.
I agree. You should also re-write your script out phonetically in the dialect you're researching. But yes, its important to learn the regional dialect of the country you are studying. Have fun with it too!
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| Posts: 363 | Location: Homesick | Registered: October 18, 2006 |    |
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Sean Penn

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I have a question on top of this post... I am reading some scripts and the characters are from the UK. How do you figure out which dialect is correct? I want to be as specific as possible. How do I know or figure out if the character speaks in a cockney, upper class British, or any other type dialect? Thanks!
"Our greatest glory is not in never falling, but in getting up everytime we do." Confucius
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| Posts: 167 | Location: Houston | Registered: January 10, 2008 |    |
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Sean Penn

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quote: Originally posted by PaulyWally: Learning the IPA can be a great foundation... but IMO that should be treated more like an on-going part of your vocal training. And I wouldn't recommend "crash-coursing" the IPA to learn a dialect for an upcoming project.
The IPA doesn't teach you the "rhythm" of a dialect... and that's important to have to sound convincing. None of us acquired our accents/dialects by learning the IPA. We did so by living among people that already spoke that way.
So...
I would suggest submersing yourself in the dialect. Watch Aussie films and Aussie comedians. Listen to Aussie audio books. Watch Aussie infomercials. Live it and breathe it 24/7. After you feel you've got a handle on it, talk in that dialect all the time. And I mean ALL THE TIME.
Figure at least 3-4 weeks of doing that before you really start picking up on the rhythm of the accent.
I agree whole heartedly with this. From the directors I have been around (Keeping in mind I have mostly stage experience thus far), each one has said, unless you can do the accent perfectly at the time of audition... DON'T DO IT. Audition with your own voice, and if you get the part I will teach you. At least that seems to be the general consensus. And it does help more I feel to listen to people speak. Like for example when human trafficking first aired on TV by the end of it, I'd picked up a pretty accurate Russian Accent. Mind you that was years ago, and I tried it the other day and sounded like an idiot, so it's a good idea to continue to listen  By the time I'd watched "Charlie bit me" a few hundred times my British is pretty spot on though as well (Totally kidding about that last part  )
"I think I've still got a bit of a sado-masochistic streak in me, because if I'm not going to be restricted by corsets and covered in lace, then I still wind up wearing an ape-mask over my face. I do wonder how I get myself in these situations! "-Helena Bonham Carter
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| Posts: 62 | Location: Washington | Registered: June 18, 2007 |    |
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Julia Roberts

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quote: Originally posted by Prospective: I have a question on top of this post...
I am reading some scripts and the characters are from the UK. How do you figure out which dialect is correct? I want to be as specific as possible. How do I know or figure out if the character speaks in a cockney, upper class British, or any other type dialect?
Thanks!
In many plays, they should say where and when the play is set and give a description of the characters. This will help you. For instance, if it's a wealthy, upper-crust British family in the 1800's (or today) you know they will speak in a very polished manner. Then they may have a maid enter in which case she could have a Cockney accent. Make sense? It's all about reading the play/script carefully and in some cases, doing all your homework on the characters. Sometimes you just may have to make a choice and hope it's the right one.
"A woman, standing nude, looks in the bedroom mirror and says to her husband, "I feel horrible, I look fat and ugly. Pay me a compliment.? Her husband replied, "Your eyesight's damn near perfect." He never heard the shot."
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| Posts: 2401 | Location: the universe | Registered: June 04, 2007 |    |
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